"It has been widely discussed that one of the secrets to great acting is listening. Being present in the scene at all times and truly listening and reacting does more to establish a character than the actual delivery of lines. Cadie J. Bryan delivered a masterclass in dramatic presence."

If you had to boil down the one constant connecting thread of opera, romance would likely be at the top of that list of possibilities. Simply put, what connects us to the greatest of operas is usually a great love story. Think “La Bohème,” “La Traviata,” “Le Nozze di Figaro,” “Tristan und Isolde,” “Der Rosenkavalier,” etc. Romance is almost always in the air when you go to the opera.

They were Nazi-resisting lovers in “The Sound of Music.” They’ll be playful lovers in “Oklahoma” in the spring. And in the opera “Pagliacci,” Cadie J. and Jonathan Bryan get to play the tragic lovers Nedda and Silvio in November.

It's the oldest story in showbusiness. A star drops out; a star is born.

"Bryan was the embodiment of courage, vocally and visually, and everything about her singing impressed, especially her thrilling high notes."

Bard Summerscape’s hotly anticipated production of “Dalibor” is just one week away.
Opening on July 25, 2025 and running through August 3...

The Bard Summerscape has announced a cast change for its production of Smetana’s “Dalibor” Due to Visa Issues

Opening on Friday, July 25 at Bard SummerScape: First Fully Staged American Production of Smetana’s Opera Dalibor, Now Starring John Matthew Myers and Cadie J. Bryan

"Thompson as the titular Figaro, and soprano Cadie J. Bryan as Figaro’s betrothed Susanna, are especially magnetic."

Comedic capers and uproarious antics take center stage as Mozart’s classic opera battle of the sexes and the classes returns to North Carolina Opera.

"On “Tace il labbro” from the Italian version of The Merry Widow, he was joined by soprano Cadie Bryan..."

"Cadie J. Bryan brought a sparkling soprano to the role of the flibbertigibbet Musetta."

"The petite soprano commanded attention and admiration for her stage presence and musical excellence."

"Soprano Cadie J. Bryan was the evening's third outstanding opera singer, making a goose-bump-inducing first impression with radiant aria "O mio babbino caro"

This year marks three decades since Andrea Bocelli, one of the most recognizable voices in the world, began his iconic career.

"Cadie J. Bryan, a charming Susanna, scored throughout and especially with a lovely, 'Deh vieni, non tardar.'"

The majestic strains of Mozart set the stage for the opening production of the season for the New Orleans Opera when the wedding bells chime for "The Marriage of Figaro"

A solid trio comprised the aquatic delegation of Rheinmaidens led by the bright voiced Woglinde of soprano Cadie J. Bryan.

On March 3, Arizona Opera is set to present a production of “The Sound of Music.”

Arizona Opera has never staged the timeless musical “The Sound of Music.”

Cadie J. Bryan and baritone husband, Jonathan Bryan, sit down with Joseph Airdo from IMAGES Arizona to discuss working together and the impact of iconic pieces like The Sound of Music in live theatre today.

"Bryan’s stand and sing rendition of “Il vecchiotto cerca moglie,” lit up the stage, her Berta here as electric as a Zerbinetta."

"Cadie J. Bryan was an utter delight as Clarine. Her luminous, attractive soprano encompassed all the interpretive demands of Clarine’s jewel of an aria."

"It was one of the most dramatic scenes of the night."